The Critical First Hour Of Your Mix

| Mixing, Tips

Did you know that 80% of your mix comes in the first hour? It’s true. The majority of your mix’s sound, vibe, and direction is set in those first 60 minutes, regardless of how much more time you spend on the mix. So whether you mix quickly or slowly, simply being aware of how critical that first hour of the mix is will dramatically help you moving forward.


Via Leticia Chamorro Flickr

Your Gut Is Always Right

The moment you first fire open some tracks to mix your brain starts working. You are hearing these tracks maybe for the first time and ideas start to swirl in your head. Your initial gut response to what you are hearing is paramount. The visual image that materializes in your mind is critical. Your unique way of hearing music comes to life and you must trust it.

The way you think the drums should sound is correct. The tone and vibe of the guitars is spot on. Your aesthetic for the lead vocal is brilliant. It’s only when you begin to over-think your decisions to things fall apart. Only you can mix the song the way only you can. So trust that your initial first impressions are correct and move forward with them.

Volume, Pan, And EQ

When starting a mix, I think it’s critical to make some big picture decisions early on and work quickly. In fact, the three biggest decisions to make that have the largest affect on your mix’s sound (in my opinion) are where you set the tracks volume level, panning, and EQ. I think compression and reverb/delay are a close second to the overall aesthetic of a mix, but volume, pan, and EQ are critical to get in the first hour.

Start moving quickly and commit to fader and pan pot positions and overall EQ settings without looking back. The rest of your mixing time will build off of these moves and likely not change things much. In fact, my good buddy Joe Gilder did a recent test where most of his mix’s tone came in the first 20 minutes.

Why? He made the obvious big picture moves (trusting his gut) and didn’t look back. The remainder of his mixing time was spent fine tuning what he did in the first 20 minutes, not reinventing the wheel.

What Your Audience Will Really Hear

Honestly if you get that first hour of mixing right, the rest of the process will come together pretty easily. Everything from automation, to sweetening, to mix buss processing will be less daunting because the mix already will sound good. It might be pretty static, but it will be 80% of the way there. And this is critical for you and I to understand: what the rest of the world will hear in our mixes is what we accomplish in that first hour.

Did you catch that? Most of what the average listener will hear in your mix will be your gut decisions about volume, pan, and simple EQ/compression moves. This all can come in the first hour. Everything else you do to the mix, as important and wonderful as it might be, will likely sail over the heads of the typical music consumer.

Go For The Big Wins

Why is this important for us to comprehend? Because it’s smarter to put the best of what he have into the areas that really make a difference. In mixing, that is what happens in the first hour. Put all of your best effort and focus into those first 60 minutes and you’ll do well. Don’t get too hung up in what comes next, as important as it is, it can only build off of what you accomplished in the first hour.

Go for the big wins and mix hard, early.



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The first 60 minutes of your mix will affect everything. Here's my proven method!

12 Responses to “The Critical First Hour Of Your Mix”

  1. Oli

    Hey Graham,

    thank you for all your work and the time you spend for the help you give.
    It’s the only website i check out day by day to learn more and widen my horizon.

    Keep it up man. 🙂

    Best regards from East Frisia, Germany.


  2. Smurf

    Right on again Graham. Once I got out of the “microscope” view of mixing & just did it, things improved 100%.

    My biggest downfall anymore is Reverb…I just can not hear it correctly. Thank God for DDL’s…. 😉

  3. Vincent

    Great article. It’s so true.
    I’m a big big fan of the 3-hour Mix concept because it really simplified my mixing process, and gave me a stop point.
    When you have a purpose and when you limit your time, you simply get things done.
    Listen to the song for the first time, adjust faders, note down your ideas. Get a killer static mix.
    Then take an hour or two EQing, Compressing, Reverbing (?).
    I think if you spend more time, that’s because you’re changing your mind as you go.

    Graham, how long do you spend on a mix, on average?

    • Graham

      I usually fall in the 3 hour mark when it’s all said and done. I try to mix even faster these days to under 2 hours. Just so I don’t undo all my work. But again, some songs will simply take longer.

  4. Joe

    “Put all of your best effort and focus into those first 60 minutes and you’ll do well. Don’t get too hung up in what comes next, as important as it is, it can only build off of what you accomplished in the first hour.”

    This is a very interesting and insightful post. I’m a late night mixer, not to mention a drummer, so I don’t get much time in the studio to practice. I’m going to write down and stick the quote I cited from you in front of me when I sit down at my workstation. At this point, the worst thing that can happen is I get better.

    Graham, once again thank you for your efforts to help us all become better at our craft because this ultimately leads to more passion for it.

  5. Jake Sharp

    Hi Graham,
    Jake here with Profound Studio. I’ve been curating your tutorials for a while and they’re fantastic. Thanks for all you hard work and knowledge!



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