<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The Recording Revolution</title>
	<atom:link href="http://therecordingrevolution.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://therecordingrevolution.com</link>
	<description>Home Studio Tips, Tricks, And Tutorials</description>
	<lastBuildDate>Wed, 16 May 2012 11:00:36 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Getting Clarity And Width On Guitars [Video]</title>
		<link>http://therecordingrevolution.com/2012/05/16/getting-clarity-and-width-on-guitars-video/</link>
		<comments>http://therecordingrevolution.com/2012/05/16/getting-clarity-and-width-on-guitars-video/#comments</comments>
		<pubDate>Wed, 16 May 2012 11:00:36 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Audio Example]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[width]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=4039</guid>
		<description><![CDATA[Do you find yourself layering guitar parts in your sessions only have them wash together, sounding vague and mushy? Today I want to show you a simple way to bring some clarity and width back into your guitars. With nothing more than a little EQ we can subtly get that separation and focus you want when you have a dense mix of guitars.<br />
<br />
]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/16/getting-clarity-and-width-on-guitars-video/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Embracing The Pro Tools Generation</title>
		<link>http://therecordingrevolution.com/2012/05/14/embracing-the-pro-tools-generation/</link>
		<comments>http://therecordingrevolution.com/2012/05/14/embracing-the-pro-tools-generation/#comments</comments>
		<pubDate>Mon, 14 May 2012 11:00:17 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[consoles]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[summing]]></category>
		<category><![CDATA[tape]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=4005</guid>
		<description><![CDATA[I am proud to be part of the Pro Tools Generation. And when I say Pro Tools, I don&#8217;t mean just Avid&#8217;s Pro Tools software, but any recording/mixing software. I am part of a generation of mixers and producers who have grown up with and have learned on a DAW rather than an analog console. And today I must address why this is an important distinction to make.<br />
DAWs Are Here To Stay<br />
Like it or not, I think we can ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/14/embracing-the-pro-tools-generation/feed/</wfw:commentRss>
		<slash:comments>15</slash:comments>
		</item>
		<item>
		<title>Get Instant Separation In Your Mix</title>
		<link>http://therecordingrevolution.com/2012/05/11/get-instant-separation-in-your-mix/</link>
		<comments>http://therecordingrevolution.com/2012/05/11/get-instant-separation-in-your-mix/#comments</comments>
		<pubDate>Fri, 11 May 2012 11:00:03 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[LCR mixing]]></category>
		<category><![CDATA[LCR panning]]></category>
		<category><![CDATA[panning]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[separation]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=4000</guid>
		<description><![CDATA[There is a simple way to get instant separation and clarity in your mix that you might not be taking advantage of. It&#8217;s fast, easy to learn, and takes immediate effect the moment you implement it. And best of all it comes bundled free with your DAW, no matter which platform you mix on! Do you know what it is? Your pan pot!<br />
Are You Halfway Panning?<br />
OK, so my intro paragraph might sound a bit sarcastic, but don&#8217;t discount ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/11/get-instant-separation-in-your-mix/feed/</wfw:commentRss>
		<slash:comments>35</slash:comments>
		</item>
		<item>
		<title>Mixing Vocals To Sit On Top</title>
		<link>http://therecordingrevolution.com/2012/05/09/mixing-vocals-to-sit-on-top/</link>
		<comments>http://therecordingrevolution.com/2012/05/09/mixing-vocals-to-sit-on-top/#comments</comments>
		<pubDate>Wed, 09 May 2012 11:00:09 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Audio Example]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[automation]]></category>
		<category><![CDATA[avid channel strip]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=4020</guid>
		<description><![CDATA[In most cases the lead vocal is the most important part of your mix. The best mixes out there always seem to find a way to get that vocal to sit right on top of everything else. How do they do it? Well there are a lot of small steps to get you there: vocal compression, riding the vocal with automation, and of course proper use of EQ. But today I want to show a super easy &#8220;hack&#8221; to making ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/09/mixing-vocals-to-sit-on-top/feed/</wfw:commentRss>
		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Why A Mono Drum Overhead Is Awesome</title>
		<link>http://therecordingrevolution.com/2012/05/07/why-a-mono-drum-overhead-is-awesome/</link>
		<comments>http://therecordingrevolution.com/2012/05/07/why-a-mono-drum-overhead-is-awesome/#comments</comments>
		<pubDate>Mon, 07 May 2012 11:00:50 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[drum overhead]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[mono]]></category>
		<category><![CDATA[panning]]></category>
		<category><![CDATA[phase]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3980</guid>
		<description><![CDATA[If you&#8217;re like me, you are constantly challenged when it comes to recording great sounding acoustic drums. And for good reason. With so many elements to the kit, it is consistently the hardest instrument to capture with punch, power, and realism. But did you know that recording a mono drum overhead will help you get better sounding drums, faster?<br />
No Phase Issues With Overheads<br />
The biggest problem with stereo miking drum overheads is dealing phase issues. More specifically when your ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/07/why-a-mono-drum-overhead-is-awesome/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Analog Summing And Why You Shouldn&#8217;t Care</title>
		<link>http://therecordingrevolution.com/2012/05/04/analog-summing-and-why-you-shouldnt-care/</link>
		<comments>http://therecordingrevolution.com/2012/05/04/analog-summing-and-why-you-shouldnt-care/#comments</comments>
		<pubDate>Fri, 04 May 2012 11:00:36 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[analog domain]]></category>
		<category><![CDATA[analog summing]]></category>
		<category><![CDATA[charles dye]]></category>
		<category><![CDATA[dangerous 2 bus]]></category>
		<category><![CDATA[dave pensado]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[digital summing]]></category>
		<category><![CDATA[fab dupont]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[kevin ward]]></category>
		<category><![CDATA[mixerman]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[summing box]]></category>
		<category><![CDATA[summing mixer]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3970</guid>
		<description><![CDATA[There&#8217;s a big debate looming in the recording world and it revolves around analog summing. People say that mixing &#8220;in the box&#8221; will never sound as good as using analog summing.<br />
So what is summing, and why is analog supposedly better? Great questions. Today I want to briefly explain the issues at hand and help you to realize that you shouldn&#8217;t care.<br />
What Is &#8220;Wrong&#8221; With Digital Summing?<br />
The concept of summing is a simple one really. When you record ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/04/analog-summing-and-why-you-shouldnt-care/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Faster EQ And Compression In Pro Tools [Video]</title>
		<link>http://therecordingrevolution.com/2012/05/02/faster-eq-and-compression-in-pro-tools-video/</link>
		<comments>http://therecordingrevolution.com/2012/05/02/faster-eq-and-compression-in-pro-tools-video/#comments</comments>
		<pubDate>Wed, 02 May 2012 11:00:26 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[compressor]]></category>
		<category><![CDATA[default plugins]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[inserts]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3985</guid>
		<description><![CDATA[When you mix, you tend to gravitate to one main EQ and compressor for the bulk of your work. I know I do. If that&#8217;s the case, then why go through all the trouble of navigating for and inserting the same plugins on each track? Setting them up as your default EQ and compressor in Pro Tools can speed things up and get you mixing faster.<br />
<br />
]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/05/02/faster-eq-and-compression-in-pro-tools-video/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How Well Do You Know Your Gear?</title>
		<link>http://therecordingrevolution.com/2012/04/30/how-well-do-you-know-your-gear/</link>
		<comments>http://therecordingrevolution.com/2012/04/30/how-well-do-you-know-your-gear/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 11:00:33 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[audio interface]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[microphone]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[studio monitors]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3952</guid>
		<description><![CDATA[Tell me something about that fancy new plugin or microphone you want to buy: how well do you know your current gear? If you&#8217;re like many people, you probably have only used your current gear for one or two projects and you already want to buy something else. You&#8217;re looking for that elusive magic bullet. Instead you should be learning your gear.<br />
Owning Does Not Equal Knowing<br />
Here&#8217;s something to consider. Just because you own a certain piece of gear (hardware ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/04/30/how-well-do-you-know-your-gear/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>The Myth Of The Perfect Mix</title>
		<link>http://therecordingrevolution.com/2012/04/27/the-myth-of-the-perfect-mix/</link>
		<comments>http://therecordingrevolution.com/2012/04/27/the-myth-of-the-perfect-mix/#comments</comments>
		<pubDate>Fri, 27 Apr 2012 11:00:35 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[grunge]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[myths]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3947</guid>
		<description><![CDATA[There is no such thing as the perfect mix. More specifically there is no such thing as the ideal mix. Because people have such a wide range of musical tastes, mixing becomes very subjective, very quickly. What I think sounds amazing may sound depressing to you, and vice versa.<br />
What Is Your Standard?<br />
Despite all of the subjectivity, you have to have some mixing standards. You need sonic benchmarks in order to gauge your progress as a mixer in general ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/04/27/the-myth-of-the-perfect-mix/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>KRK Rokit 5 Studio Monitors Review [Video]</title>
		<link>http://therecordingrevolution.com/2012/04/25/krk-rokit-5-studio-monitors-review-video/</link>
		<comments>http://therecordingrevolution.com/2012/04/25/krk-rokit-5-studio-monitors-review-video/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 11:00:01 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Product Review]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[krk]]></category>
		<category><![CDATA[KRK systems]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[product review]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[Rokit 5]]></category>
		<category><![CDATA[Rokit series]]></category>
		<category><![CDATA[speakers]]></category>
		<category><![CDATA[studio monitors]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=3939</guid>
		<description><![CDATA[Looking to make the jump from headphones to real deal studio monitors? You really can&#8217;t go wrong with the affordable Rokit series from KRK Systems. These guys make speakers for the pros and there&#8217;s a reason. Flat, accurate, and reliable sound in your studio.<br />
Speakers Are All They Do<br />
What I love about KRK is that building studio monitors (and more recently, headphones) is all they do. They do one thing and do it well. Today I review their super ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2012/04/25/krk-rokit-5-studio-monitors-review-video/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
	</channel>
</rss>

