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	<title>The Recording Revolution</title>
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	<link>http://therecordingrevolution.com</link>
	<description>Home Studio Tips, Tricks, And Tutorials</description>
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		<title>Recording Your Band With Only One Microphone [Video]</title>
		<link>http://therecordingrevolution.com/2013/05/22/recording-your-band-with-only-one-microphone-video/</link>
		<comments>http://therecordingrevolution.com/2013/05/22/recording-your-band-with-only-one-microphone-video/#comments</comments>
		<pubDate>Wed, 22 May 2013 10:00:43 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Audio Example]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[acoustic guitar]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[avid fast track solo]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[behringer]]></category>
		<category><![CDATA[behringer b1]]></category>
		<category><![CDATA[challenge]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[laptop]]></category>
		<category><![CDATA[MacBook Pro]]></category>
		<category><![CDATA[one microphone]]></category>
		<category><![CDATA[pro tools express]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sm57]]></category>
		<category><![CDATA[stock plugins]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[usb interface]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5536</guid>
		<description><![CDATA[I&#8217;m a sucker for a studio challenge. Recently I decided to track an entire band production using only one microphone and a low cost audio interface. Why? Because that&#8217;s what many of you actually have in your home studio! The gear of choice: a Behringer B1 ($100 condenser mic) and the new Avid Fast Track Solo ($179 USB interface), all recorded and mixed on the included free Pro Tools Express software (using only the included stock plugins). Here&#8217;s how it ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/22/recording-your-band-with-only-one-microphone-video/feed/</wfw:commentRss>
		<slash:comments>33</slash:comments>
		</item>
		<item>
		<title>Get Better Recordings By Identifying The Hook</title>
		<link>http://therecordingrevolution.com/2013/05/20/get-better-recordings-by-identifying-the-hook/</link>
		<comments>http://therecordingrevolution.com/2013/05/20/get-better-recordings-by-identifying-the-hook/#comments</comments>
		<pubDate>Mon, 20 May 2013 10:00:10 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Tips]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[guitar]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[orchestral]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[the hook]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tracks]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5525</guid>
		<description><![CDATA[Every great song has a hook. That one element that draws the listener in and keeps them there. Whether a pop song, jazz instrumental, or baroque orchestral piece, at the center of every song is a hook of some kind. And one of the keys to getting a great recording is to identify and build around the song&#8217;s hook.<br />
What Is Your Song&#8217;s Hook?<br />
I&#8217;ll show you what this can look like in the recording phase, but first you have to ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/20/get-better-recordings-by-identifying-the-hook/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Should You Mix While You Record?</title>
		<link>http://therecordingrevolution.com/2013/05/17/should-you-mix-while-you-record/</link>
		<comments>http://therecordingrevolution.com/2013/05/17/should-you-mix-while-you-record/#comments</comments>
		<pubDate>Fri, 17 May 2013 10:00:10 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Reader Question]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[drums]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[faders]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[pan]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tracking]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[volume]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5516</guid>
		<description><![CDATA[These days, everything in the studio seems to blend together. From recording, to mixing, to arranging, to songwriting. Some people are even trying to master while they mix. It can get confusing and convoluted. So the question for today will be: is it OK to mix while you record? And if so what does that look like?<br />
In fact recently a TRR reader emailed this quandry, and I&#8217;m sure many of you can identify with his situation:<br />
I might pan ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/17/should-you-mix-while-you-record/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Mixing Console Templates In Your DAW [Video]</title>
		<link>http://therecordingrevolution.com/2013/05/15/mixing-console-templates-in-your-daw-video/</link>
		<comments>http://therecordingrevolution.com/2013/05/15/mixing-console-templates-in-your-daw-video/#comments</comments>
		<pubDate>Wed, 15 May 2013 10:00:59 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[avid channel strip]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[console]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[master buss compressor]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[slate digital]]></category>
		<category><![CDATA[SSL bundle]]></category>
		<category><![CDATA[template]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[trim plugin]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[virtual console collection]]></category>
		<category><![CDATA[virtual tape machines]]></category>
		<category><![CDATA[waves ssl channel strip]]></category>
		<category><![CDATA[workflow]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5511</guid>
		<description><![CDATA[One way to speed up your mixing workflow is to treat your DAW like a console. By that I mean to set up a custom template that always opens with the exact tracks, routing, EQs and compressors you&#8217;d normally use already setup and ready to go. It allows you to work much like you would on an analog console where your raw tracks route through the board with all the effects patched in and ready go. Here&#8217;s how mine looks ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/15/mixing-console-templates-in-your-daw-video/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Recording, Hustle, And Abraham Lincoln</title>
		<link>http://therecordingrevolution.com/2013/05/13/recording-hustle-and-abraham-lincoln/</link>
		<comments>http://therecordingrevolution.com/2013/05/13/recording-hustle-and-abraham-lincoln/#comments</comments>
		<pubDate>Mon, 13 May 2013 10:00:41 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Rant]]></category>
		<category><![CDATA[abraham lincoln]]></category>
		<category><![CDATA[good things come to those who wait]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[hustle]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[project studio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5500</guid>
		<description><![CDATA[There are many things you and I cannot control in life. We can&#8217;t manufacture ideal opportunities or bend the universe to our will. It&#8217;s just the truth. However, there are a few things we CAN control. Things like our attitude, our response to circumstances, and of course how hard we work. Don&#8217;t worry, this applies to recording, trust me.<br />
Good Things Come To Those Who&#8230;<br />
There is a famous quote that is persistently attributed to Abraham Lincoln that speaks so much ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/13/recording-hustle-and-abraham-lincoln/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Two Audio Guys You Need To Follow</title>
		<link>http://therecordingrevolution.com/2013/05/10/two-audio-guys-you-need-to-follow/</link>
		<comments>http://therecordingrevolution.com/2013/05/10/two-audio-guys-you-need-to-follow/#comments</comments>
		<pubDate>Fri, 10 May 2013 13:51:06 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[audio blogger]]></category>
		<category><![CDATA[free ebook]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[home studio corner]]></category>
		<category><![CDATA[joe gilder]]></category>
		<category><![CDATA[kevin ward]]></category>
		<category><![CDATA[mix coach]]></category>
		<category><![CDATA[nashville]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[training]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5493</guid>
		<description><![CDATA[This week I got to spend some quality time with a few audio friends (both old and new) in Nashville. In fact, my last night there I got to sit around a bon fire and talk all things recording and mixing with two of my favorite audio bloggers out there: Joe Gilder and Kevin Ward. If you don&#8217;t follow these guys yet, you should.<br />
Kevin Ward &#8211; Mix Coach<br />
Kevin is an award winning mixing engineer and producer, a great ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/10/two-audio-guys-you-need-to-follow/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Recording Great Vocals In Two Steps [Video]</title>
		<link>http://therecordingrevolution.com/2013/05/08/recording-great-vocals-in-two-steps-video/</link>
		<comments>http://therecordingrevolution.com/2013/05/08/recording-great-vocals-in-two-steps-video/#comments</comments>
		<pubDate>Wed, 08 May 2013 10:00:42 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Audio Example]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[audio interface]]></category>
		<category><![CDATA[cardioid polar pattern]]></category>
		<category><![CDATA[condenser microphone]]></category>
		<category><![CDATA[gain staging]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[inverse square law]]></category>
		<category><![CDATA[pop filter]]></category>
		<category><![CDATA[preamp]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[rode NT1a]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[vocals]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5462</guid>
		<description><![CDATA[Well recorded vocals can make or break song. The good news? It&#8217;s not really that hard to capture a great vocal recording. In fact there are basically two main steps you need to follow. In today&#8217;s video I show you exactly how I follow these two steps to get a great vocal recording for myself and all my clients. Enjoy!<br />
<br />
]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/08/recording-great-vocals-in-two-steps-video/feed/</wfw:commentRss>
		<slash:comments>49</slash:comments>
		</item>
		<item>
		<title>It&#8217;s Time To Take Back Your Studio</title>
		<link>http://therecordingrevolution.com/2013/05/06/its-time-to-take-back-your-studio/</link>
		<comments>http://therecordingrevolution.com/2013/05/06/its-time-to-take-back-your-studio/#comments</comments>
		<pubDate>Mon, 06 May 2013 10:00:29 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Take Back Your Studio]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[take back your studio]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[training]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[web event]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5444</guid>
		<description><![CDATA[I have huge news to share today. For the first time ever I will be hosting a live, world wide, web event designed to help all of you frustrated home studio owners. From recording, to mixing, to where to invest money in gear, I&#8217;m covering it all. The event is called Take Back Your Studio and it&#8217;s going to be awesome.<br />
Feeling Your Frustrations<br />
I know what it&#8217;s like to not be getting the recordings you want. I know how ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/06/its-time-to-take-back-your-studio/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Why You Should Commit Your Guitar Sound On The Way In</title>
		<link>http://therecordingrevolution.com/2013/05/03/why-you-should-commit-your-guitar-sound-on-the-way-in/</link>
		<comments>http://therecordingrevolution.com/2013/05/03/why-you-should-commit-your-guitar-sound-on-the-way-in/#comments</comments>
		<pubDate>Fri, 03 May 2013 10:00:47 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[avid eleven rack]]></category>
		<category><![CDATA[commit to the sound]]></category>
		<category><![CDATA[electric guitars]]></category>
		<category><![CDATA[guitar amp modeling]]></category>
		<category><![CDATA[guitars]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[tutorials]]></category>
		<category><![CDATA[virtual amp]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5453</guid>
		<description><![CDATA[If you happen to record guitars through a virtual amp plugin or box, then you&#8217;d be wise to done thing: commit to your sound on the way in. That&#8217;s right. None of this, recording the effected sound plus the direct sound, &#8220;just in case.&#8221;<br />
Just in case of what? Just in case you completely change your mind on how guitars should sound while in the mixing phase? Bad idea.<br />
You Have To Make A Decision<br />
I&#8217;ve been pretty blown away ...]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/03/why-you-should-commit-your-guitar-sound-on-the-way-in/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Gain Staging Your DAW With Trim Plugins [Video]</title>
		<link>http://therecordingrevolution.com/2013/05/01/gain-staging-your-daw-with-trim-plugins-video/</link>
		<comments>http://therecordingrevolution.com/2013/05/01/gain-staging-your-daw-with-trim-plugins-video/#comments</comments>
		<pubDate>Wed, 01 May 2013 10:00:27 +0000</pubDate>
		<dc:creator>Graham</dc:creator>
				<category><![CDATA[Audio Example]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Plugins]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[Tips]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[DAW]]></category>
		<category><![CDATA[gain staging]]></category>
		<category><![CDATA[headroom]]></category>
		<category><![CDATA[home studio]]></category>
		<category><![CDATA[master fader]]></category>
		<category><![CDATA[mix buss]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[tricks]]></category>
		<category><![CDATA[trim plugins]]></category>
		<category><![CDATA[tutorials]]></category>

		<guid isPermaLink="false">http://therecordingrevolution.com/?p=5439</guid>
		<description><![CDATA[Every time I bring up the idea of gain staging people&#8217;s eyes seem to gloss over. I know, it sounds boring. But until you do it right you won&#8217;t believe just how critical it is to getting a big, clear, and musical mix. That&#8217;s why I started my very first 5 Minutes To A Better Mix series with this concept. Today I want to show you another way to setup your mixing levels using a simple trim plugin.<br />
<br />
]]></description>
		<wfw:commentRss>http://therecordingrevolution.com/2013/05/01/gain-staging-your-daw-with-trim-plugins-video/feed/</wfw:commentRss>
		<slash:comments>42</slash:comments>
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