Archive for 'Plugins'

These days, everything in the studio seems to blend together. From recording, to mixing, to arranging, to songwriting. Some people are even trying to master while they mix. It can get confusing and convoluted. So the question for today will be: is it OK to mix while you record? And if so what does that look like?

In fact recently a TRR reader emailed this quandry, and I’m sure many of you can identify with his situation:

I might pan some of the guitars, turn them down, etc while I get ready to track another guitar, keyboard part, bass, etc. Is that normal or should I not touch anything on the mixer until the song is pretty much done in the recording phase? – Doug (TRR reader)

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One way to speed up your mixing workflow is to treat your DAW like a console. By that I mean to set up a custom template that always opens with the exact tracks, routing, EQs and compressors you’d normally use already setup and ready to go. It allows you to work much like you would on an analog console where your raw tracks route through the board with all the effects patched in and ready go. Here’s how mine looks these days…

If you happen to record guitars through a virtual amp plugin or box, then you’d be wise to done thing: commit to your sound on the way in. That’s right. None of this, recording the effected sound plus the direct sound, “just in case.”

Just in case of what? Just in case you completely change your mind on how guitars should sound while in the mixing phase? Bad idea.

You Have To Make A Decision

I’ve been pretty blown away by how realistic the Eleven Rack sounds as a virtual amp box. And it has the ability to record wet and dry signals into your DAW. But I would never do that. Why? At some point in the studio you must make a decision. At some point before your song hits a CD or MP3 for download you must decide what the guitars are going to sound like.
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Every time I bring up the idea of gain staging people’s eyes seem to gloss over. I know, it sounds boring. But until you do it right you won’t believe just how critical it is to getting a big, clear, and musical mix. That’s why I started my very first 5 Minutes To A Better Mix series with this concept. Today I want to show you another way to setup your mixing levels using a simple trim plugin.

There is a lot of hype surrounding the latest vintage console emulation plugin from Waves, the REDD consoles from Abby Road Studios. Does this replaces something like Slate Digital’s Virtual Console Collection or Waves own NLS (Non Linear Summer)? Or is it something more? Today I do a little show and tell of how I’ve used it in real mixes as of late.

I love to see competition in the plugin world. It better serves the customer/user. Today’s review covers the Plug And Mix VIP Bundle from the guys at DontCrack.com. It’s a very affordable bundle of plugins ($399US for 40 plugins) that both sound good and are fun to use. Here’s a little show and tell from a mix that I used a bunch of these plugins on.

So just this week my band released our most recent EP entitled Lower. It’s a simple 5 song album that was tracked, mixed, and mastered in my own project studio. I thought today I would not only share it with you, but highlight a few lessons (good and bad) that I learned from this specific project.

Less Is More

I would say the biggest lesson that was re-enforced on this project was that less is more in the recording phase. I think I did this well when it came to guitars. During the tracking process I kept stripping away guitar parts until we were left with the absolute foundational parts. This made the songs easier to mix and they sounded bigger in the long run. Go figure.
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Part 30 of 31 – Looking for a more consistent, upfront, bass response in your mix? Or perhaps you simply don’t have enough low end at all? A multiband compressor can help.

Compress Just The Low End

With the power of a multiband compressor, you can easily process only the bottom end of your mix, giving you a more even response, tighter bass, and over all fatter sound. It’s a great tool, especially if EQ alone isn’t cutting it.

Part 29 of 31 – At the end of your mix you want to check your EQ balance against a pro track.How is the top end? How is the bottom end? A quick EQ check with a reference can go a long way.

The Painful Reference Process

Yes it’s painful to bring in a reference mix at this point, but you must do it. If you want to deliver a better mix, then bring in a pro track to reference. But here’s what you listen for: the top end clarity and bottom end weight.

Part 26 of 31 – Background vocals, when mixed well, can really enhance just about any song. The trick is getting them to sit just right in the mix and not take over the lead vocal.

The Lonely Low Pass Filter

It seems we audio people talk about the infamous high pass filter a lot. When his poor little cousin, the low pass filter, gets left out of conversation. In reality, this little EQ curve can do wonders for sitting a bunch of vocals back in the mix a tad and freeing up space.