Archive for 'Audio Example'

Well recorded vocals can make or break song. The good news? It’s not really that hard to capture a great vocal recording. In fact there are basically two main steps you need to follow. In today’s video I show you exactly how I follow these two steps to get a great vocal recording for myself and all my clients. Enjoy!

Every time I bring up the idea of gain staging people’s eyes seem to gloss over. I know, it sounds boring. But until you do it right you won’t believe just how critical it is to getting a big, clear, and musical mix. That’s why I started my very first 5 Minutes To A Better Mix series with this concept. Today I want to show you another way to setup your mixing levels using a simple trim plugin.

I have to hand it to Avid, the Eleven Rack is changing my mind on guitar amp modeling and changing how I work in the studio and on stage. Today I want to give a little show and tell of the Eleven Rack, which is a total guitar amp, speaker, and effects modeling box that also happens to be a USB 2.0 interface and comes bundled with a free copy of Pro Tools. Let’s do this!

There is a lot of hype surrounding the latest vintage console emulation plugin from Waves, the REDD consoles from Abby Road Studios. Does this replaces something like Slate Digital’s Virtual Console Collection or Waves own NLS (Non Linear Summer)? Or is it something more? Today I do a little show and tell of how I’ve used it in real mixes as of late.

I love to see competition in the plugin world. It better serves the customer/user. Today’s review covers the Plug And Mix VIP Bundle from the guys at DontCrack.com. It’s a very affordable bundle of plugins ($399US for 40 plugins) that both sound good and are fun to use. Here’s a little show and tell from a mix that I used a bunch of these plugins on.

Part 30 of 31 – Looking for a more consistent, upfront, bass response in your mix? Or perhaps you simply don’t have enough low end at all? A multiband compressor can help.

Compress Just The Low End

With the power of a multiband compressor, you can easily process only the bottom end of your mix, giving you a more even response, tighter bass, and over all fatter sound. It’s a great tool, especially if EQ alone isn’t cutting it.

Part 29 of 31 – At the end of your mix you want to check your EQ balance against a pro track.How is the top end? How is the bottom end? A quick EQ check with a reference can go a long way.

The Painful Reference Process

Yes it’s painful to bring in a reference mix at this point, but you must do it. If you want to deliver a better mix, then bring in a pro track to reference. But here’s what you listen for: the top end clarity and bottom end weight.

Part 28 of 31 – As you near the end of your mix, one of the best things you can do is reverse mix it. This simple little move will tell you a lot about your volume balance between kick, snare, and vocals.

What Do You Hear Down There?

If you take your monitors and turn them all the way down and then bring them up in volume ever so slowly, what is the first thing you hear? Ideally it should be vocal, snare, and kick drum. What’s that you say? You haven’t tried this little trick?! Today’s your day!

Part 27 of 31 – When it comes to random tracks like percussion and delay returns, the question arrises: where do I pan them? Lately I’ve been finding these panning pockets in my mixes that work quite well.

In Between LCR

If you’re like me, you employ what’s called LCR panning. While not only giving you a wide and clear mix with plenty of separation, it also opens up some pockets in between the 3 panning points for some final supplemental tracks.

Part 26 of 31 – Background vocals, when mixed well, can really enhance just about any song. The trick is getting them to sit just right in the mix and not take over the lead vocal.

The Lonely Low Pass Filter

It seems we audio people talk about the infamous high pass filter a lot. When his poor little cousin, the low pass filter, gets left out of conversation. In reality, this little EQ curve can do wonders for sitting a bunch of vocals back in the mix a tad and freeing up space.