Make better music now

These days, everything in the studio seems to blend together. From recording, to mixing, to arranging, to songwriting. Some people are even trying to master while they mix. It can get confusing and convoluted. So the question for today will be: is it OK to mix while you record? And if so what does that look like?

In fact recently a TRR reader emailed this quandry, and I’m sure many of you can identify with his situation:

I might pan some of the guitars, turn them down, etc while I get ready to track another guitar, keyboard part, bass, etc. Is that normal or should I not touch anything on the mixer until the song is pretty much done in the recording phase? – Doug (TRR reader)

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One way to speed up your mixing workflow is to treat your DAW like a console. By that I mean to set up a custom template that always opens with the exact tracks, routing, EQs and compressors you’d normally use already setup and ready to go. It allows you to work much like you would on an analog console where your raw tracks route through the board with all the effects patched in and ready go. Here’s how mine looks these days…

There are many things you and I cannot control in life. We can’t manufacture ideal opportunities or bend the universe to our will. It’s just the truth. However, there are a few things we CAN control. Things like our attitude, our response to circumstances, and of course how hard we work. Don’t worry, this applies to recording, trust me.

Good Things Come To Those Who…

There is a famous quote that is persistently attributed to Abraham Lincoln that speaks so much wisdom into how you and I need to approach our home studios:

Things may come to those who wait, but only the things left by those who hustle. - Abraham Lincoln (16th President of The United States)

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This week I got to spend some quality time with a few audio friends (both old and new) in Nashville. In fact, my last night there I got to sit around a bon fire and talk all things recording and mixing with two of my favorite audio bloggers out there: Joe Gilder and Kevin Ward. If you don’t follow these guys yet, you should.

Kevin Ward – Mix Coach

Kevin is an award winning mixing engineer and producer, a great teacher, and all around humble guy. He does so much full time production and mixing work in his Nashville studio, that I don’t even know how he has time to run MixCoach.com, but he does. His site is packed with tips, tricks, video tutorials, and helpful podcasts aimed at the beginner all the way up to the advanced mix engineer.
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Well recorded vocals can make or break song. The good news? It’s not really that hard to capture a great vocal recording. In fact there are basically two main steps you need to follow. In today’s video I show you exactly how I follow these two steps to get a great vocal recording for myself and all my clients. Enjoy!

I have huge news to share today. For the first time ever I will be hosting a live, world wide, web event designed to help all of you frustrated home studio owners. From recording, to mixing, to where to invest money in gear, I’m covering it all. The event is called Take Back Your Studio and it’s going to be awesome.

Feeling Your Frustrations

I know what it’s like to not be getting the recordings you want. I know how it feels to spend forever mixing a song only have it fall apart, forcing you to start all over. I’ve lived the agony of money being tight and wondering whether or not one specific gear upgrade would really make a difference in the sound of my recordings.

So I know how you feel. But the truth is, it doesn’t have to be this way!
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If you happen to record guitars through a virtual amp plugin or box, then you’d be wise to done thing: commit to your sound on the way in. That’s right. None of this, recording the effected sound plus the direct sound, “just in case.”

Just in case of what? Just in case you completely change your mind on how guitars should sound while in the mixing phase? Bad idea.

You Have To Make A Decision

I’ve been pretty blown away by how realistic the Eleven Rack sounds as a virtual amp box. And it has the ability to record wet and dry signals into your DAW. But I would never do that. Why? At some point in the studio you must make a decision. At some point before your song hits a CD or MP3 for download you must decide what the guitars are going to sound like.
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Every time I bring up the idea of gain staging people’s eyes seem to gloss over. I know, it sounds boring. But until you do it right you won’t believe just how critical it is to getting a big, clear, and musical mix. That’s why I started my very first 5 Minutes To A Better Mix series with this concept. Today I want to show you another way to setup your mixing levels using a simple trim plugin.

We all want to be awesome at something in this world. Likely many things. I’m going out on limb here, but I assume that most of you want to be awesome at recording and mixing music. Wow, I’m some kind of genius!

The problem is that we think there is a shortcut to awesome. There isn’t. No plugin, mic preamp, or any other piece of gear for that matter will get you to awesome recordings in less time (at least not the kind of speed jump you and I are hoping for.) But the good news is, you don’t need to wait 30 years to be good at this stuff (or anything else for that matter).

All You Need Is 30 Minutes

You don’t have time to quit all of your commitments and spend 10 hours a day everyday working in your studio. I get that. But, guess what?! You don’t need it. In fact all I’m asking you give up if you really want to be good at recording or mixing is 30 minutes a day. Half an hour. 6 random YouTube videos.
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Today I want to address a very common question I get in my inbox on an almost weekly basis: whether or not audio school is worth it. With so many young (and young at heart) readers of The Recording Revolution discovering their passion for music production, the natural progression for some is to want to produce music full time, for a living.

So, like many professions, one assumes a degree is needed not only for the experience and knowledge but for the pedigree, for the resume, etc. Plus let’s be honest: the idea of going to “school” to play around with mixing consoles and expensive microphones is pretty enticing. So if you’ve wrestled with this question, let me give you a few thoughts.

You Don’t Need A Degree To Do This For A Living

I’ll get straight to the point. You do not need a degree to make a living recording, mixing, or producing music. You just don’t. In fact I wouldn’t be surprised if we polled most top level engineers only to find out a majority of them didn’t go to school for audio. Some may have not gone to college at all.
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